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254. They were mainly used to express vowel-sounds, in Quenya usually regarded as modifications of the accompanying consonant; or to express more briefly some of the most frequent consonant combinations. APPENDIX E 1119 THE TENGWAR 1120 T HE L ORD O F THE R INGS The forms seen in 14 were regarded as normal. The stem could be raised, as in 916; or reduced, as in 1724. The bow could be open, as in Series I and III; or closed, as in II and IV; and in either case it could be doubled, as e. in 58. The theoretic freedom of application had in the Third Age been modified by custom to this extent that Series I was generally applied to the dental or t-series (tincote´ma), and II to the labials or p-series (parmate´ma). The application of Series III and IV varied according to the requirements of different languages. In languages like the Westron, which made much use of consonants1 such as our ch, j, sh, Series III was usually applied to these; in which case Series IV was applied to the normal k-series (calmate´ma). In Quenya, which possessed besides the calmate´ma both a palatal series (tyelpete´ma) and a labialized series (quessete´ma), the palatals were represented by a Fe¨anorian diacritic denoting following y (usually two underposed dots), while Series IV was a kw-series. Within these general applications the following relations were also commonly observed. The normal letters, Grade 1, were applied to the voiceless stops: t, p, k, etc. The doubling of the bow indicated the addition of voice: thus if 1, 2, 3, 4t, p, ch, k (or t, p, k, kw) then 5, 6, 7, 8d, b, j, g (or d, b, g, gw). The raising of the stem indicated the opening of the consonant to a spirant: thus assuming the above values for Grade 1, Grade 3 (912)th, f, sh, ch (or th, f, kh, khwhw), and Grade 4 (1316)dh, v, zh, gh (or dh, v, gh, ghww). The original Fe¨anorian system also possessed a grade with extended stems, both above and below the line. These usually represented aspirated consonants (e. th, ph, kh), but might represent other consonantal variations required. They were not needed in the languages of the Third Age that used this script; but click the following article extended forms were much used as variants (more clearly distinguished from Grade 1) of Grades 3 and 4. Grade 5 (1720) was usually applied to the nasal consonants: thus 17 and 18 were the most common signs for n and m. According to the principle observed above, Grade 6 should then have represented the voiceless nasals; but since such sounds (exemplified by Welsh nh or ancient English hn) were of very rare occurrence in the languages concerned, Grade 6 (2124) was most often used for the weakest or semi-vocalic consonants of each series. It consisted of the smallest and simplest shapes among the primary letters. Thus 21 was often used for a weak (untrilled) r, originally occurring in Quenya and regarded in the system of that language as the weakest consonant of the tincote´ma; 22 was widely used for w; where Series III was used as a 2 palatal series 23 was commonly used as consonantal y. Since some of the consonants Pubg game download keyboard play Grade 4 tended to become weaker in 1 The representation of the sounds here is the same as that employed in transcription and described above, except that here ch represents the ch in English church; j represents the sound of English j, and zh the sound heard in azure and occasion. 2 The inscription on the West-gate of Moria gives an example of a mode, used for the spelling of Sindarin, in which Grade 6 represented the simple nasals, but Grade 5 represented the double or long nasals much used in Sindarin: 17nn, but 21n. A PP ENDIX E 1121 pronunciation, and to approach or to merge with those of Grade 6 (as described above), many of the latter ceased to have a clear function in the Eldarin languages; and it was from these letters that the letters expressing vowels were largely derived. note The standard spelling of Quenya diverged from the applications of the letters above described. Grade 2 was used for nd, mb, ng, ngw, all of which were frequent, since b, g, gw only appeared in these combinations, while for rd, ld the special letters 26, 28 were used. (For lv, not for lw, many speakers, especially Elves, used lb: this was written with 276, since lmb could not occur. ) Similarly, Grade 4 was used for the extremely frequent combinations nt, mp, nk, nqu, since Quenya did not possess dh, gh, ghw, and for v used letter 22. See the Quenya letter-names pp. 11223. The additional letters. 27 was universally used for l. 25 (in origin a modification of 21) was used for full trilled r. Nos. 26, 28 were modifications of these. They were frequently used for voiceless r (rh) and l (lh) respectively. But in Quenya they were used for rd and ld. 29 represented s, and 31 (with doubled curl) z in those languages that required it. The inverted forms, 30 and 32, though available for use as separate signs, were mostly used as mere variants of 29 and 31, according to the convenience of writing, e. they were much used when accompanied by superimposed tehtar. 33 was in origin a variation representing some (weaker) variety of 11; its most frequent use in the Third Age was h. 34 was mostly used (if at all) for voiceless w (hw). 35 and 36 were, when used as consonants, mostly applied to y and w respectively. The vowels were in many modes represented by tehtar, usually set above a consonantal letter. In languages such as Quenya, in which most words ended in a vowel, the yachts gta to get how 5 in was placed above the preceding consonant; in those such as Sindarin, in which most words ended in a consonant, it was placed above the following consonant. When there was no consonant present in the required position, the tehta was placed above the short carrier, of which a common form was like an undotted i. The actual tehtar used in different languages for vowel-signs were numerous. The commonest, usually applied to (varieties of) e, i, a, o, u, are exhibited in the examples given. The three dots, most usual in formal writing for a, were variously written in quicker styles, a form like a circumflex being often employed. 1 The single dot and the acute accent were frequently used for i and e (but in some modes for e and i). The curls were used for o and u. In the Ring-inscription the curl open emulator pubg game history the right is used for u; but on the title-page this stands for o, and the curl open to the left for u. The curl to the right was favoured, and the 1 In Quenya in which a was very frequent, its vowel sign was often Pubg game download keyboard play altogether. Thus for calma lamp clm could be written. This would naturally read as calma, since cl was not in Quenya a possible initial combination, and m never occurred finally. A possible reading was calama, but no such word existed. 1122 T HE L ORD O F THE R INGS application depended on the language concerned: in the Black Speech o was rare. Long vowels were usually represented by placing the tehta on the long carrier, of which a common form was like an undotted j. But for the same purpose the tehtar could be doubled. This was, however, only frequently done with the curls, and sometimes with the accent. Two dots was more often used as a sign for following y. The West-gate inscription illustrates a mode of full writing with the vowels represented by separate letters. All the vocalic letters used in Sindarin are shown. The use of No. 30 as a sign for vocalic y may be noted; also the expression of diphthongs by placing the tehta for following y above the vowel-letter. The sign for following w (required for the expression of au, aw) was in this mode the u-curl or a modification of it ~. But the diphthongs were often written out in full, as in the transcription. In this mode length of vowel was usually indicated by the acute accent, called in that case andaith long mark. There were beside the tehtar already mentioned a number of others, chiefly used to abbreviate the writing, especially by expressing frequent consonant combinations without writing them out in full. Among these, a bar (or a sign like a Spanish tilde) placed above a consonant was often used to indicate that it was preceded by the nasal of the same series (as in nt, mp, or nk); a similar sign placed below was, however, mainly used to show that the consonant was long or doubled. A downward hook attached to the bow (as in hobbits, the last word on the title-page) was used Pubg game download keyboard play indicate a following s, especially in the combinations ts, ps, ks (x), that were favoured in Quenya. There was of course no mode for the representation of English. One adequate phonetically could be devised from the Fe¨anorian system. The brief example on the title-page does not attempt to exhibit this. It is rather an example of what a man of Gondor might have produced, hesitating between the values of the letters familiar in his mode and the traditional spelling of English. It may be noted that a dot below (one of the uses of which was to represent weak obscured vowels) is here employed in the representation of unstressed source, but is also used in here for silent final e; the, of, and of the are expressed by abbreviations (extended dh, extended v, and the latter with an under-stroke). The names of the letters. In all modes each letter and sign had a name; but these names were devised to fit or describe the phonetic uses in each particular mode. It was, however, often felt desirable, especially in describing the uses of the letters in click modes, to have a name for each letter in itself as a shape. For this purpose the Quenya full names were commonly employed, even where they referred to uses peculiar to Quenya. Each full name was an actual word in Quenya that contained the letter in question. Where possible it was the first sound of the word; but where the sound or the combination expressed did not occur initially it followed immediately after an initial vowel. The names of the letters in the table were (1) tinco metal, parma book, calma lamp, quesse feather; (2) ando gate, umbar fate, anga iron, ungwe spiders web; A PP ENDIX E 1123 (3) thu´le (su´le) spirit, formen north, harma treasure (or aha rage), hwesta breeze; (4) anto mouth, ampa hook, anca jaws, unque a hollow; (5) nu´men west, malta gold, noldo (older ngoldo) one of the kindred of the Noldor, nwalme (older ngwalme) torment; (6) o´re heart (inner mind), vala angelic power, anna gift, vilya air, sky (older wilya); ro´men east, arda region, lambe tongue, alda tree; silme starlight, silme nuquerna (s reversed), a´re sunlight (or esse name), a´re nuquerna; hyarmen south, hwesta sindarinwa, yanta bridge, u´re heat. Where there are variants this is due to the names being given before certain changes affected Quenya as spoken by the Exiles. Thus No. 11 was called harma when it represented the spirant ch in all positions, but when this sound became breath h initially1 (though remaining medially) the name aha was devised. a´re was originally a´ze, but when this z became merged with 21, the sign was in Quenya used for the very frequent ss of that language, and the name esse was given to it. hwesta sindarinwa or Grey-elven hw was so called because in Quenya 12 had the sound of hw, and distinct signs for chw and hw were not required. The names of the letters most widely known and used were 17 n, 33 hy, 25 r, 10 f: nu´men, hyarmen, ro´men, formenwest, south, east, north (cf. Sindarin duˆn or annuˆn, harad, rhuˆn or amruˆn, forod). These letters commonly indicated the points W, S, E, N even in languages that used quite different terms. They were, in the West-lands, named in this order, beginning with and facing west; hyarmen and formen indeed meant left-hand region and right-hand region (the opposite to the arrangement in many Mannish languages). (ii) the cirth The Certhas Daeron was originally devised to represent the sounds of Sindarin only. The oldest cirth were Nos. 1, 2, 5, 6; 8, 9, 12; 18, 19, 22; 29, 31; 35, 36; 39, 42, 46, 50; and a certh varying between 13 and 15.
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